He
then used his creative experience for classroom learning and therapeutic
purposes for severely disabled children and young people at the
Spastics Society's Centre for Special Education in Mumbai where
he used the arts as a powerful medium for psychological, speech
and physiotherapy and for creative expression. In the process
he introduced creative education as an integration tool. Extending
his approach further, he began to train teachers and other creative
educationists, preparing them to work with special children and
young people, using a multi-art strategy.
His
creative education work then went on to include children and young
people from socially and economically deprived areas. This brought
him in touch with street children at the National Society For
Clean Cities' Children’s Complex in Bandra, Mumbai. At the
Complex he worked for over a year with deprived children and helped
them shape their own musical play, build and paint the sets, evolve
and execute face and body painting designs, make and paint animal
masks and create their own music.
Extending
his creative education approach nationally, he went on to work
in Delhi with the Times Of India's programmed called Newspapers
In Education. As part of the programme, he worked creatively with
children and young people from 60 schools in the Capital. He also
worked on multi-art programmes with municipal schools children
and teachers in the city.
In
Bhopal, he worked with thirty families of traditional puppeteers,
developing with them, new scripts, designed and painted new sets
and evolved new approaches to lyric writing.